The story of Richard de Fournival explores with elegance and humor the multiple detours of the courtly love strategy.

Sanctus illustrates the golden age of new songs from the School of Notre-Dame. This program was recorded under the Bayard Musique label and obtained a Diapason d’Or.

The reconstruction of a service dedicated to Saint-Martin provides us with very precise information about the richness of the cult but also about the musical practices of the Master of the basilica.

On the occasion of the 500th anniversary of the accession of François I, the Clément Janequin and Diabolus in Musica ensembles honored the greatest musician of the king's chapel, Jean Mouton.

The greatest monument of medieval music put into context with the parts
Gregorian or magnified by organ improvisations. A major work to rediscover.

The overwhelming beauty of the elegy, as well as the traditional arrangement of the text (each verse is preceded by a Hebrew letter, also sung) are conducive to the expression of a specific, particularly intense emotion.

In common, stories that have passed through time, transmitted orally or in manuscripts. The songs from both repertoires were born on the roads...

4 motets of great stylistic variety, a complete polyphonic mass and an extraordinary poem of lament bring to life the moving tribute of Johannes Ockeghem's colleagues and friends.

A dive into the unique world of lais, atypical trouvère songs adapted from music coming from the Anglo-Saxon Celtic world in the 12th century.