{"id":155,"date":"2025-05-10T21:35:36","date_gmt":"2025-05-10T19:35:36","guid":{"rendered":"http:\/\/ironband.dev\/?p=1"},"modified":"2025-10-02T18:18:19","modified_gmt":"2025-10-02T16:18:19","slug":"projet-hesoan-hear-the-sound-of-ars","status":"publish","type":"post","link":"https:\/\/diabolusinmusica.fr\/en\/projet-hesoan-hear-the-sound-of-ars\/","title":{"rendered":"Enregistrement – Projet HESoAN : Hear the Sound of Ars Nova"},"content":{"rendered":"

Les 9 et 10 mai 2025, l\u2019ensemble Diabolus in Musica \u00e9tait en enregistrement dans la chambre an\u00e9cho\u00efque de l\u2019Universit\u00e9 Sorbonne Paris Nord pour le projet HeSoAn – Hear the Sound of Ars Nova, avec l\u2019agence de m\u00e9diation culturelle Talkartive.<\/p>\n

Olivier Germond, Marc Busnel<\/a>, Philippe Roche<\/a>, Branislav Rakic<\/a>, sous la direction artistique de Nicolas Sansarlat, ont enregistr\u00e9 plusieurs pi\u00e8ces musicales issues des manuscrits d\u2019APT (16b) et d\u2019IVREA (Ms 115) dans le cadre du projet HeSoAN – Hear the Sound of Ars Nova.<\/p>\n


\n<\/b>Le projet HeSoAN – Hear the Sound of Ars Nova<\/b><\/h2>\n

L’h\u00e9ritage musical d’Avignon au XIVe si\u00e8cle rena\u00eet \u00e0 travers un projet innovant de m\u00e9diation culturelle. Des extraits soigneusement s\u00e9lectionn\u00e9s du r\u00e9pertoire avignonnais de 1362 ont \u00e9t\u00e9 enregistr\u00e9s pour enrichir l’exp\u00e9rience des visiteurs privil\u00e9gi\u00e9s de la Chapelle du Palais des Papes<\/a>, cet espace d’exception accessible seulement quelques mois par an.<\/p>\n

Cette initiative s’inscrit dans le projet HeSoAN – Hear the Sound of Ars Nova, d\u00e9velopp\u00e9 par l’agence Talkartive, sp\u00e9cialiste des m\u00e9diations culturelles sonores impactantes. L’objectif va au-del\u00e0 d’une simple diffusion musicale : offrir une immersion authentique dans l’univers musical du XIVe si\u00e8cle, permettant aux visiteurs du Palais des Papes de d\u00e9couvrir la richesse des manuscrits m\u00e9di\u00e9vaux.<\/p>\n

La force de cette d\u00e9marche repose sur sa fid\u00e9lit\u00e9 acoustique. Les enregistrements recr\u00e9ent l’environnement sonore de l’\u00e9poque gr\u00e2ce \u00e0 des techniques avanc\u00e9es combinant expertise musicologique et technologies modernes. Cette reconstitution offre une exp\u00e9rience sensorielle unique, comme un voyage temporel dans l’Avignon papale m\u00e9di\u00e9vale, illustrant parfaitement comment le patrimoine musical ancien peut \u00eatre revitalis\u00e9 tout en pr\u00e9servant son authenticit\u00e9.<\/p>\n

La chambre an\u00e9cho\u00efque de l\u2019Universit\u00e9 Sorbonne Paris Nord<\/b><\/h2>\n

La chambre an\u00e9cho\u00efque constitue un environnement acoustique exceptionnel o\u00f9 les r\u00e9flexions sonores sont presque totalement \u00e9limin\u00e9es. Ses parois, recouvertes de structures absorbantes en forme de c\u00f4nes ou pyramides, et son plancher grillag\u00e9 suspendu cr\u00e9ent un espace o\u00f9 le son ne rebondit pas. L’isolation phonique ext\u00e9rieure exceptionnelle permet d’atteindre une att\u00e9nuation acoustique de -60 \u00e0 -100 dB selon les fr\u00e9quences.<\/p>\n

Dans l’industrie musicale, ces chambres servent \u00e0 capturer le son pur des instruments ou voix sans coloration acoustique, produisant des enregistrements \u00ab\u00a0secs\u00a0\u00bb qui seront ensuite trait\u00e9s avec des effets contr\u00f4l\u00e9s. Les fabricants audio les utilisent pour calibrer pr\u00e9cis\u00e9ment microphones et \u00e9quipements d’enregistrement.<\/p>\n

L’exp\u00e9rience d’\u00eatre dans une chambre an\u00e9cho\u00efque est souvent d\u00e9crite comme d\u00e9stabilisante, car on y entend des sons habituellement masqu\u00e9s, comme notre propre circulation sanguine.<\/p>\n

Ce projet a \u00e9t\u00e9 r\u00e9alis\u00e9 en partenariat avec Talkartive<\/a>, la SATT Sud-Est<\/a>, l\u2019Universit\u00e9 de la Sorbonne<\/a>, DPA Microphones<\/a> et Avignon Tourisme<\/a>.<\/p>\n

Contacter l\u2019\u00e9quipe Diabolus in Musica<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Les 9 et 10 mai 2025, l\u2019ensemble Diabolus in Musica \u00e9tait en enregistrement dans la chambre an\u00e9cho\u00efque de l\u2019Universit\u00e9 Sorbonne […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[25,30],"tags":[],"class_list":["post-155","post","type-post","status-publish","format-standard","hentry","category-evenements","category-experimentations"],"yoast_head":"\nEnregistrement - Projet HESoAN : Hear the Sound of Ars Nova - Diabolus in Musica<\/title>\n<meta name=\"description\" content=\"Diabolus in Musica \u00e9tait en enregistrement dans la chambre an\u00e9cho\u00efque de l\u2019Universit\u00e9 Sorbonne Paris Nord pour le projet HeSoAn.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diabolusinmusica.fr\/en\/projet-hesoan-hear-the-sound-of-ars\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Enregistrement - 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